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PORTRAIT OF A LAKE
2017, print on natural fabric (300x400cm), hemp strings, 3L of water produced by a nearby dehumidifier, poured every day
Installation view from Sharjah Biennial 13 Tamawuj, curated by Christine Tohme, Sharjah, UAE
Portrait of a Lake consists in a suspended piece of map. It shows us the outlines of a lake and its surrounding grounds, now hanging above us.
As water pours on it, the representation of the lake, dating back from 1938, becomes humid again; the lake is reactivated. As it crosses the representation of the lake, water
becomes water from the lake. Dripping down onto the floor, it slowly draws the outlines of the lake anew; A self-portrait, drawn by the lake itself.
The portrayed lake is Yammoune – Little Sea (from Ugaritic, "yam"). On its West shore are scattered the ruins of a Roman sanctuary. Dedicated to Astarte-Venus, goddess of
fertility, the sanctuary also held statues of shepherd-gods protecting pastoral life and agriculture. Built next to Nabaa el-Arbain, the main spring flowing into the lake, the
sanctuary had a direct connection with water and purification rituals.
Abundant with water from the spring at snowmelt, Yammoune Lake progressively empties, until the end of summer, forming a fertile depression. Culminating above the fertile
valley of the Bekaa, which it partly irrigates, its water also irrigates the illegal crops cultivated in the village of Yammoune.
Situated on the Levant geological fault, marking the boundary between the eastern Mediterranean and the Arabian plates, Yammoune Lake is a “pull-apart”: a void constituted
by the slippage of the two tectonic plates. The fault, departing from Jordan, crosses Lebanon’s entire geography, as well as Israel and Syria, before ending in Turkey; Divided in
segments, breaking one by one, at different times, it is responsible for a significant amount of seismic events in the Middle-East.
Closely following the nature, cycle and history of the lake, the installation is also reminiscent of a sail, a tent or a breast.